![]() ![]() The reason for me to also get/purchase Mixbus was first my curiosity about it, but in the end I’ve kept it because of its sound – *and* because the workflow is about the same as in Ardour which I knew and loved since years already, and which I’ll keep using anyway. It’s open source, but for a readily compiled version for Windows or MacOS you’ll have to spend an amount of your own choice (starting at $1). Most of that stuff can be done with Ardour which is a fantastic program of and by itself. You can also save the master loudness analysis and the mixer settings automatically with each mixdown in ‘preferences’, so you’ll get something like this with your exported file(s): Output analysis Mixer settings ![]() This is the same installer that can be downloaded as a free demo from the product page. A simple click with your mouse could change that to ‘Youtube’ which would be 2dB “hotter”, or to EBU R128 broadcasting standards (-23 LUFS and -1dBTP) When you purchase Mixbus or Mixbus32C, you will receive an email with: Links to the application installer. Like the latest versions of Ardour (6.7 at the time of writing) on which it is built, it has some quite nice features which you won’t find elsewhere, at least not built-in – take the targeted mastering approach for instance: Mixbus/Ardour with a loudness target ‘Apple Music’ which translates to -16 LUFS and to -1dB true peak. I was quite happy with v6 already, but v7 seems to be even snappier. See their homepage, and also the Mixbus manual for more info. ![]() Yesterday I decided to upgrade my version 6 of Harrison Mixbus to their new version 7 – and just like my purchase of v6 I’ve got it at a discount, so until now I’ve spent 19€ for the first version and also 19€ for the upgrade – still cheap when considering the normal price of 90€ (plus 29€ for the upgrade) if you don’t get the discount. ![]()
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